“Object Play: Icereampowerpinkyswearlater? obscures the everyday,” by Mack Martens, The Uniter, University of Winnipeg and downtown community newspaper. Vol.79, No.14. 2025.
“Icecreampowerpinkyswearlater?,” exhibition essay by Luther Konadu, 2024.
“Julie Oh: Very Big Forces,” exhibition essay by Simon Fuh, 2023.
“Sesame, open yourself,” exhibition essay by Rose Bouthillier, 2022.
“Seeing the extraordinary in the ordinary,” by Shannon Boklaschuck, Arts and Science, University of Saskatchewan, 2022.
“Your Attachments Have Arrived,” exhibition essay by Cole Thompson, PAVED Meant Vol.4, 2022.
“The Sacred Particularities of Care: Julie Oh’s ‘Tunnel, Air, Mother’,” by Nic Wilson, Peripheral Review 2020-2021.
“Successive Lives of Objects: In Conversation with Julie Oh,” by Kate Kolberg, Public Parking, 2020.
“My grandfather’s grey socks,” exhibition essay by Jennifer Matotek, 2019.
“Julie Oh: The Saskatoon Artist is Using Her Mother’s Home as the Epicentre for Her Latest Exhibition,” by Kyle Zurevinski, BlackFlash Magazine, 2019.
“Living Architecture at 6018North,” by Sabrina Greig, Chicago Artist Writers, 2018.
“Not the Same Old Immigrant Story as Hard Questions Are Asked at 6018North Gallery,” by Lori Waxman, Chicago Tribune, September 20, 2018.
“An Interview with Julie Oh,” by KitKit Para and respectfulchild. Fucking Young Canadian Artists, 2017.
“Canada’s Art Bank Speculates on Fresh Talent,” by Britt Gallpen, Canadian Art, 2014.
“I M Migrant,” by Karla Griffin, BlackFlash Magazine, 27:1, 2009.